1.

第一章

繪畫在資訊爆炸時代中的意義

The Dilemma of Contemporary Painting

The first chapter will talk about how the information structure in today’s society affects the production and dissemination of images, and the role of painting as art. The traditional art of painting has been facing the crisis of being replaced by technology and media since the 20th century. From photography, printing, film and video, computer graphics, to now, artificial intelligence has begun to be widely used. Today, almost all information is disseminated in digital form. If you want to recoard your daily life, you can take pictures with your mobile phone. If you want to express your opinon, you can shoot a video. If you want to be humorous, you can make a meme image. If you want to create science fiction works , the artificial intelligence can be used. In the era of information explosion, it seems there is no need for painting to exist. Even among the numerous images on the Internet, painting has slowly lost its place. Is painting dead? Or do we imprison our thoughts in the shallow understanding of existing information? Can painting develop new meanings in contemporary times?

2.

第二章

解構東方美學的形式：「形、勢、質、空」

the nature of oriental aesthetics：[ Form，Momentum，Substance，Void ]

I will analyze Chinese and Japanese calligraphy, painting, sculpture and other fields to find out their common features and introduce them in non-abstract way, while avoiding explanations in mysterious and nihilistic terms. The question is, after understanding these features, can we in modern times break away from traditional forms and innovate while continuing the nature of these aesthetics?

3.

第三章

在實踐中探索：「線造形」

Practice: Linear Plasticism

“Linear Plasticism” is one of the experiments focusing on the characteristic of “Momentum”. Representing the linear tendency of energy. I disassemble and analyze the structure of line form from traditional calligraphy, and compare it with Kandinsky’s modern art theory “point, line, plane”. Finally, practice in my painting.